Po
Boy Views
By
Phil
LaMancusa
Hurricane
Musings
Or
Tea
and Oranges
There
is no new poetry, there are only new poets. Excited wild wide eyed innocents
and morose mud-stomping posers alike
and as
if new, continue to splash additional tattoo-like thoughtless art-ink
letters (flotsam really), to wash upon the blank bleached skin shores of
crushed vegetable pulp. Bayou crab traps. Fishing lures. Beignet crumb clues
from mind meanderings, words forming, strung together, or scattered; painting
pictures resonating in our mind’s eyes, whose sole purpose is literary
terrorism. Once arms are taken up there is no quarter given.
The
words are the party line of life making calls to the imaging thesaurus of thoughts,
dreams and, crystallized faith fomenting feelings……………. Ideas and beliefs
signaled by so many Mississippi River curves and Mid-City angled lines; so many
words, so many pictures. Water lines and flooded houses.. Star analogies hung
on the Spanish moss oaks of the indigo night sky; the prickly cosmic hitchhiker
stickers giving them importance, meaning, value and merit; hung in the endless
infinite otherwise ninth ward vacant heavens with the moon shining like pattern
baldness on Pete Fountain’s pate. There is no new poetry, there are only new
poets, ghetto word soldiers armed with loaded language, sniping bayonet words
to be fixed together, reminiscent dots interpretively connected forming the
images that reverberate, vibrate, resound, echo, catch fire, explode,. Boom.
Thoughts
and feelings; these are heartset street musician guitar strings that have
always been a little out of tune, strum them; these are fruits of our backyard
banana trees, pluck them anew like emotional fruit, sometimes ripe, sometimes
not. We open our minds, accept the call, stringing the feelings and experiences
of pasts, presents and futures together. Born in pain and nurtured into comfort
with the Abita Amber visions, dancing desires, dreams, fancies and fantasies
fed by the tropical winds approaching. One plodding, skipping, racing heartbeat
hoof in front of another.
An
emotional New Orleans gumbo ya-ya served to our mind-senses is a flavor of what
has already been recognized, identified, tasted already digestedly known.
Learn that we already know that which is not already known. Learning
nothing new, anew, somnambulating second-lining into a greater wake-fullness, wiser
than we think, dumber than we look. Newness:
the old shirt that we find at the bottom of our awareness laundry pile.
Whatever doesn’t register we envision, make up, imagine. Confusions of
grandeur.
Reading poetry brings
to
Mind, the inebriated
gathering
Of river foam, humid September
Nights under the sly Orion
Constellation,
wearing SPF 50
Gossamer beer shadow
glasses
And burlesque queen
lusts.
Louis Armstrong
conducting an
Orchestra on the
volcanic shores
Of the make-believe
Ballroom
Washing your cares
away with
Oil spill tones
extorting all his
Shoeless children to
come dance
Down by the riverside.
Read again and read it again; fathom, digest and envision
intrinsic meaning from the words poured forth, spread out and condensed into
bite sized form and fashion, tid-bit teasing surprised poultry pausing mid-road
to find rhythm or rhyme, dancing beach tar queen, smoky sloe eyed,
sandal-footed wordsmith courtesan; beckoning, one step ahead of our stumbling
ability to keep up. That crab stepping pirate leaving hints and allegations
that whisper “I know and you do not, repeat after me, repeat after me, assess,
dissect and leave no more informed than when you took up the task.” Rooftop
stranded significance exists only as the meaning was implied and not as you
imagined.
Selfish
writer expounding Kindness
Compassion
charity truth and love.
Cloaked
nuances of sex and power
Hide
agendas in shadowed rhetoric
Placate me not with false promises.
Come clean villain
expose your lies
Serpents swallowing
tail’s testimony line
By line X marking the
spilled ruby blood
Spots at the foot of
the umber innocent’s
Crucifixion turning into self immolation
Disguised as sheaves
of sleeping grain
Prestidigitation
of the symbolic wordsmith, now you see hidden meanings, now you don’t. The
ingredients remain constant, the only constant is the change, the only change
has slipped between the cushions of your consciousness and you search for the meanings
of poetry as for dimes and pennies to buy another pack of Lucky Strikes. I
recall cold comfort from cheerless climes. Mona Lisa smiles, stumbling blocks,
stepping stones, the painted sign advertising ‘Undertaker, Gravedigger, Auto Repair’. In the beginning mine eyes
saw the glory and now the expressions become another jambalaya served up by pensive
Polymnia for Orpheus her son, who reposes in the dirt yard playing with
rollypollies. Pray she slakes his mind’s thirst, satisfies his hearts desires,
watch his soft lips repeat the food of words meanings: the moon and sauerkraut;
for better or for worse and to Hell and back if you really care.
The bard then takes pity with meter
and rhyming
Next
easing our plight mastering tempo and timing
Our
simple mind’s eye comprehends easy relevance
Because
truth be told there’s no strain on intelligence
As
ditties likewise recited from youthful awareness
Reveal
evidence of poetry’s magnanimous fairness.
Grown
jaded and graying into ill-tempered maturity
Still
savagely take pleasure from youthful obscurity
Words
crooned hypnotic while on soft knees seated
Sing
song sweet narratives blurred lessons repeated.
And
pity the blind fool who performs (when they can)
The
arabesque that starts with “there once was a man…”