Tea and Oranges
There
is no new poetry, there are only new poets. Excited wild wide eyed innocents and
morose maudlin mopers, alike and as if new,
continue to splash additional tattoo-like thoughtful art ink letters (flotsam
really), to wash upon the sand skin shores of blank crushed vegetable pulp. Hieroglyphics.
Flying kites. Fishing lures. Bread crumb clues from wayward mind meanderings, forming
words strung together, or scattered; painting pictures to resonate in our mind’s
eyes, whose sole purpose is literary terrorism. Once arms are taken up there is
no about face.
The
telephone party line of life making a call to the imaging thesaurus of our
thoughts, dreams and, crystallizing faith, fomenting feelings……………. Ideas, credence
and beliefs signaled in so many curves and angled lines; so many words, so many
pictures. Language. Squiggles. Star analogies hung on the Christmas tree of the
indigo night sky; the prickly cosmic hitchhiker stickers giving them importance,
meaning, value and merit; hung in the endless infinite otherwise vacant heavens
with the moon shining like pattern baldness on a geezer’s pate. There is no new
poetry, there are only new poets, guerilla word soldiers armed with loaded language,
sniping bayonet words to be fixed together, reminiscent dots interpretively
connected forming the images that reverberate, vibrate, resound, echo, resonate,
explode, catch fire, create light, significance and substance. Boom.
Thousands
of thoughts and feelings; these are heartset dulcimer strings that have always
been a little out of tune, strum them; these are the fruits of our Johnny apple
trees, pluck them anew like emotional fruit, sometimes ripe, sometimes not. We
open our minds and accept the call, stringing the feelings and experiences of
past present and futures born in pain and nurtured into comfort with the milk
of fancies, desires, visions, dreams, hopes and fantasies fed by the world
around us within us without us. Nowhere to go that we haven’t been that isn’t
there until we arrive. Willing or not. One plodding, skipping, racing heartbeat
hoof in front of another. In the beginning was the word.
An
emotional New Orleans gumbo served up to our mind-senses is a flavor of what has
already been recognized, identified,
made out, tasted already digested known.
Learn that we already know that which is
not already known. How do we know not know? Learning nothing new, anew, somnambulating
into a greater wake-fullness. Wiser than we think dumber than we look. Newness.
Newness: the old shirt that we find at
the bottom of our awareness laundry pile. Whatever doesn’t register we picture,
envision, make up, visualize, imagine. Confusions of grandeur. What color is
red?
Reading
poetry brings to
Mind,
the joyous gathering
Of sea
foam, humid August
Nights under the sly Orion
Constellation,
wearing SPF 50
And
gossamer Shadow glasses.
Martin
Block is conducting the
Orchestra
on the volcanic shores
Of The
Make-believe Ballroom
Washing
your cares away with
Oil
slick tones extorting all his
Shoeless
children to come dance.
To be read again and read it again to fathom, digest and
get intrinsic meaning from the words poured forth, spread out and condensed in
bite sized form and fashion, tid-bit teasing surprised poultry into pausing
mid-road to find rhythm or rhyme, dancing beach tar queen, smoky sloe eyed,
sandal-footed wordsmith courtesan; beckoning, one step ahead of our stumbling
ability to keep up. A treasure map. That crab stepping pirate leaving hints and
allegations that whisper “I know and you do not, repeat after me, repeat after
me, assess, dissect and leave no more informed than when you took up the task; you knew the job was dangerous when you took
it.” Solipsitically speaking, the significance exists only as the meaning was
implied and not as you imagined.
Selfish writer expounding Kindness
Compassion charity truth and love.
Cloaked nuances of sex and power
Hide agendas in shadowed rhetoric
Placate me not with false promises.
Come
clean villain expose your lies
Serpents
swallowing tail’s testimony line
By
line X marking the spilled ruby blood
Spots
at the foot of the umber innocent’s
Crucifixion turning into self immolation
Disguised
as sheaves of sleeping grain
Prestidigitation
of the written wordsmith
Now
you see hidden meanings now you don’t
The
ingredients remain constant, the only constant is the change, the only change
has slipped between the cushions of your consciousness and you search for the
meanings of poetry as for nickels and pennies to buy another pack of Lucky
Strikes. The poet is the devil daring to mesmerize, confuse, tantalize, amaze
and perplex; rebuke him, oh Lord, we humbly beseech thee. Damn their nickel dickering soulless word
excursions nebulous cumulous cloud illusions; I recall cold comfort from
cheerless climes. Mona Lisa smiles, stumbling blocks, stepping stones, a waltz
down the garden path, over the river and through the woods. In the beginning
mine eyes saw the glory and now the expressions become another jambalaya served
up by pensive Polymnia for Orpheus her son, who reposes in the dirt yard
playing with rollypollies. Pray she slakes his mind’s thirst, satisfies his
hearts desires, watch his soft lips repeat the food of words meanings: the moon
and sauerkraut; for better or for worse and to Hell and back if you really
care.
The
bard then takes pity with meter and rhyming
Next
eases our plight mastering tempo and timing
Our
simple mind’s eye comprehends easy relevance
Because
truth be told there’s no strain on intelligence
As
ditties likewise recited from youthful awareness
Reveal
evidence of poetry’s magnanimous fairness.
Grown
jaded and graying into ill-tempered maturity
Still
savagely take pleasure from youthful obscurity
Words
crooned hypnotic while on soft knees seated
Sing
song sweet narratives blurred lessons repeated.
And
pity the fool who blind performs (when they can)
The
arabesque that starts “there once was a man…”
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